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Weaving Pain
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Weaving Pain
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Weaving Pain
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Weaving Pain
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Meditation
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Meditation
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Meditation
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Meditation (detail)
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Untitled 1000
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Untitled 1000
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Untitled 108
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Untitled (detail)
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Weaving Pain
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Weaving Pain
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Weaving Pain
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Beyond – Dark, Hole 1
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Beyond – Dark, Hole 1
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Beyond – Dark, Hole 3
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Beyond – Dark, Hole 2
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Beyond – Dark, Hole 2
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A Circle Is Not A Circle 1
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Beyond – Dark, Hole 3
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A Circle Is Not A Circle 4-1
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A Circle Is Not A Circle 4-1
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A Square Is Not A Square 1
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A Square Is Not A Square 1
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Beyond – Yin
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Beyond – Yin
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Beyond – Yin
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Beyond
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Room for Meditation
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Beyond 2 (detail)
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Beyond 2 (detail)
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Beyond 2
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A
Circle Is Not A Circle
Faced with a reality which lies beyond opposite concepts,
physicists and mystics have to adopt a special way of thinking
where the mind is not fixed in the rigid framework of classical
logic, but keeps moving and changing its viewpoint.
From ‘Tao of Physics’ by Fritjof Capra.
The
title of artworks, ‘A Circle is Not a Circle’,
is inspired by a phrase, ‘Particles Are Also Waves’ from
The Tao of Physics by Fritjof Capra, which has introduced me
to a whole different perspective seeing the world. In The
Tao of Physics Fritjof Capra describes the parallels between modern
physics and Eastern mysticism by pointing out its paradoxical
and non-logical nature of subatomic world and Eastern philosophy.
To understand the fundamental truth of being, physicists used
scientific evidence, theories and formulas to explain and describe
truth in searching for the smallest basic block of which all
materials are made. On the other hand sages from the East used
observation of reality and direct experience as a metaphor to
describe truth in attaining self-realization. I was truly amazed
that two parties took a different route but eventually met at
the same point.
In classical physics, the smallest unit composing matter—a
molecule or an atom—is a solid, indestructible and isolated
unit at rest. However, modern physics discovered that an atom
consists of vast regions of space in which extremely small particles
are moving with high velocity and are organically interconnected
by electromagnetic force. Depending on how we look at them, they
appear sometimes as particles, sometimes as waves. Subatomic
units of matter are very abstract entities, which should be understood
as mathematical quantities of ‘probability waves’[1] <#_ftn1> rather
than a particle or a wave. The phenomena observed in the subatomic
world by scientists revealed its paradoxical and non-logical
feature, which is beyond our direct sensory experience in a three-dimensional
world. It is a whole different realm of hyperspace and metaphysics
to me.
After many years of illness, I have come to view the fundamentals
of life in a different way. While searching for a cure I was
inspired by a Zen master in my hometown of Korea. I learned how
important it is to live in the present moment. The present, in
Eastern culture, is a very short moment when perpetual past and
future meet. I realized that I had lingered on ‘the past’,
when I was sick, and on’ the future’, when I would
be sick. Through practicing meditation I was able to completely
concentrate on the moment that I was breathing and to accept ‘suchness’ of
the present moment. In my present, when I looked into through
meditation, there’s no pain/suffering or tremendous happiness.
It is empty but full of vibrating energy just like a subatomic
world. True peace and liberation revealed itself in my life in
such a way. It was an utterly amazing turning point in my life.
I fold mulberry papers to create geometric creases, and then
spray sumi ink repeatedly to create delicate banners of shade.
Then I create a site-specific installation responding directly
to intersection of the walls or floor. I use the walls or the
floor sometimes simultaneously to transform two-dimensional surfaces
into three-dimensional space. The viewers’ relativistic
location to an artwork will give them different perspectives
and also will create slightly different images. From only one
viewpoint, by looking at two perpendicular walls together, viewers
will be able to recognize one perfect circle. The shapes used
in artworks are geometric but conceptually organic, which interact
with viewers’ viewpoint. Viewers become participants, not
simply observers, by keeping moving and changing their perspectives.
Through my project I want to evoke a new way of looking at
the space around us, by challenging our conventional uses of
perspective that we’re so dependent on in manmade forms.
My work is also a visual questioning of ourselves. An answer
sits within each individual in different ways. Only, I hope
that my work leads viewers to find their path to their true
self beyond physicality.
Fritjof Capra, The Tao of Physics, p.68
At the subatomic level matter does not exist with certainty
at definite places, but rather shows ‘tendencies to exist’,
and atomic events do not occur with certainty at definite times
and in definite ways, but rather shows ‘tendencies to
occur’, In the formalism of quantum theory, these tendencies
are expressed as probabilities and are associated with mathematical
quantities which take the form of waves. This is why particles
can be waves at the same time. They are not ‘real’ three-dimensional
waves like sound or water waves. They are ‘probability
waves’, abstract mathematical quantities with all the
characteristic properties of waves which are related to the
probabilities of finding the particles at particular points
in space and at particular times.
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EDUCATION
|
| M.F.A. |
Maryland
Institute, College of Art, Baltimore, MD |
| M.F.A. |
Seoul
National University, Seoul, Korea |
| B.F.A. |
Seoul
National University, Seoul, Korea |
ONE-PERSON
EXHIBITIONS
|
| 2006 |
Particles Are Also Waves, Delaware Center for the Contemporary Arts, Wilmington, DE |
| 2005 |
Mono.logue,
Queens College Art Center, Queens, New York |
| 2004 |
New York Report ; Seongmin Ahn, White Wall Gallery, Seoul, Korea
Weaving Pain, Kerrigan Campbell art + project, New York, NY |
| 2003 |
Beyond,
Project ’03, Carriage House, Islip Art Museum, Islip, NY |
| 2001 |
Meditation,
Gomez Gallery, Baltimore, MD |
| |
Meditation,
Fox Gallery, Baltimore, MD |
| 1998 |
Floating,
Gallery Boda, Seoul, Korea |
SELECTED
GROUP EXHIBITIONS
|
| 2005 |
Repeating Spaces, Art Gallery, Montclair State U niversity, Montclair, NJ
No End But Addition, Vox Populi, Philadelphia, PA
|
| 2004 |
Re.Occurrence, Taste of Art, New York, NY
Scene/Unscene, 473 Broadway Gallery, New York, NY
ArtLink @ Sotheby’s International Young Art, Tel Aviv, Amsterdam, Moscow
No End, But Addition, Orange County Gallery, Orange County, NJ
Meditation in New York, 473 Broadway Gallery, New York, NY.
Abstraction Identity, Pelham Art Center, Pelham, NJ
Juried show, Gallery Korea, Korean Cultural Service, Embassy of the Republic
of Korea,
Washington D.C. Curated by Clifford T. Chieffo
In the Face of others, NURTUREart at LMCC, Lower Manhattan Cultural Council ,
New York, 2003
|
| 2003 |
Seasonal
Litter, Broadway Gallery Annex, New York, NY
No End, But Addition, Spaces Gallery, Cleveland, Ohio
Flicker, Transplant Gallery, New York, NY
Seongmin Ahn and Haejung Oh, Washington Arts Center, Arlington, VA
Space and Surface Painting, Gallery Korea, New York. NY
Panelists: Elizabeth Park,
Shaping Wholeness, Elmhurst Hospital Center, organized by Asian American Arts
Center, Queens, NY.
Works on Paper, Annual Juried Show, Perkins Center for the Arts, Moorestown,
NJ.
Juror: Joseph Jacobs, Curator of American Art, The Newark Museum.
Nurturing the New, NURTUREart, New York, NY
Curators’ showcase, in showcase of Margaret Bodell, Viewing Room, New York,
NY
|
| 2002 |
Contrary
Equilibriums: 12th Annual Exhibition, The Asian American Arts
Center, New York, NY Panelists: Mihee Ahn, Timothy Liu, Margo
Machida, Tricia Paik &Lydia Yee
eMotion Picture, United Nations, New York, NY |
| 2001 |
Academy
2001, Corner Contemporary Gallery, Washington D.C.
Masters Juiedy Show, Fox Gallery, Baltimore, MD
eMotion Picture, San Francisco, CA, Washington, D.C., Chicago, IL
x<16 x 13, Fox Hall, Baltimore, MD |
| 2000 |
About
Drawing, The Park School Gallery, Baltimore, MD
Mt. Royal Show, Thesis Gallery, Baltimore, MD
Mt. Royal Alumni Show, Thesis Gallery, Baltimore, MD
Mt. Royal Show, Thesis Gallery, Baltimore, MD |
| 1998 |
Mt.
Royal Show, Thesis Gallery, Baltimore, MD |
| 1997 |
Grand
Art Show by Chungang Daily News, Hoam Art hall, Seoul, Korea
Show of Grand Art Competition by Art World, Kyungin Gallery, Seoul, Korea
Exhibition of Grand Art Competition, Munhwa Broadcast Company, Grand Art Hall,
Seoul, Korea
20th Anniversary Show, Sun-Hwa Art School, Seoul, Korea
M.F.A. Thesis Show, Museum of Seoul National University, Seoul, Korea
Po-il Exhibition, Cultural Center of S.N.U., Seoul, Korea
Exchange Show, Seoul National University & Tokyo University, Seoul, Korea |
| 1995 |
New
Form and Spirit, Do-ol Gallery, Seoul, Korea
Exchange Show, Seoul University & Tokyo University, Tokyo, Japan
|
AWARDS
AND RESIDENCIES
|
| 2003 |
Grant,
Pollock-Krasner Foundation
Carriage House Space Award, Islip Art Museum, Islip, NY
Juror’s Award for Artistic
Excellence, Perkins Center for the Art, Moorestown,
NJ,
Juror: Joseph Jacobs, curator of American Art, the Newark Museum. |
| 2002 |
Artist’s
Grant, Vermont Studio Center, Johnson, Vermont |
| 1998-0I |
Scholarship,
Graduate School, Maryland Institute, College of Art, Baltimore |
| 1997 |
Selected,
Grand Art Competition by Chungang Daily News, Seoul, Korea
Specially Selected, Grand Art Competition by Art World Monthly Magazine, Seoul,
Korea
Specially Selected, Grand Art Competition by Munhwa Broadcast Company, Seoul,
Korea
|
PUBLIC
TALK
|
| 2005 |
Artist Talk, Queens College Art Center, Queens New York |
| 2003 |
Artist Talk, Pierro Gallery of South orange, NJ
Washington
Arts Center, Arlington, VA
Asian American Art Center Panel Discussion, Korea Society, New York, NY |
SELECTED
BIBLIOGRAPHY
|
| 2005 |
Irene Coughlin, “Buddhist-Inspired Korean Art”, Queens World, December 12 2005, NY
Jin Hye Kim, Korea Tims, December, 2005 |
| 2004 |
Lori Oritz, “Quite Space in a Busy City”, NY ARTS magazine.
“The
Pelham Art Center Present Abstract Identity”, The Bronxville
Bulletin, March 2004 |
| 2003 |
Dan
Tranberg, “Exploring the Natural World”, The Plain
Dealer, Cleveland, Ohio
Mary Lou Cohalan, Projects’03 (catalog), Carriage House, the Islip Art
Museum, Long Island |
| 2002 |
Tricia
Paik, 12th Annual Exhibition (catalog), The Asia American Arts
Center and the Korea Society |
| 2001 |
Jessica
Dawson, “That’s On, and Off, the Wall”, Washington
Post, August 16
Glen McNatt, “Religious Influence in Artist’s Paintings”, The
Sun, August 9,
Mike Giuliano, “Contemplative Paintings …at the Gomez Gallery, City
Paper, Baltimore, Aug 8-15.
“Korean Artist, Ahn’s Show” The Korea Times, Washington D.C.
Aug., ABC 7 News, Chicago |
| 1998 |
Intae
Jang, Art World, Mar, Seoul, Korea
Unmong Park, Art Education, Mar, Seoul, Korea
The Korea Times, Seoul, Korea
Dongah Daily News, Seoul, Korea
Kookmin Ilbo, Seoul Korea |
PUBLIC
COLLECTIONS
|
| |
Asian
American Art Center, New York, NY
Johns Hopkins Hospital, Baltimore, MD
Kangnambalgun Hospital for Eye Surgery, Seoul, Korea |
RELATED
WORK EXPERIENCE
|
| 1999-01 |
Teaching
Assistant , Maryland Institute, College of Arts, Baltimore, MD |
| 1997-98 |
Part
Time Faculty, Daegu College of Art, Daegu, Korea |
| 1995 |
Assistant
Researcher, Museum of Seoul National University, Seoul, Kore |
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